Adefolahan Adedamola, popularly known as Fireboy, has once again shown a reason why royalty blends with blessings, as his name implies; Fireboy released his fourth studio album titled ‘adedamola’ following the success of his last three albums, Laughter, Tears and Goosebumps, Apollo, and Playboy. This album shows how much of a technically gifted artist he is. Many controversial opinions sprung up during the build-up of this album, and some parties already labeled the YBNL act as having hit a decline, while others said he was going to do magic with this album. The album currently has the third highest day streams of all albums released in 2024.

No doubt, the latter opinion was right! From the lead singles to the production, it was obvious that adedamola would do magic. The album had lead singles of Oba Sima, Yawa, and Everyday. Fireboy takes the listeners to a deep part of his life on this album, showing how much he has learned from his past without letting it consume him. According to him, the idea of the new album was given birth in the year 2023 when he faced a lot of difficult times, and this album was his escape from the difficulties.

This album focuses on themes of love, mental clarity, and building strong relationships. He features well-known musicians like Lagbaja, Seun Kuti, Lojay, Spinall, and Jon Batiste in this beautiful work. Take a journey with us as we analyze each song with its meaning and inspiration. 

iseoluwa

Fireboy explained that "iseoluwa" is the only independent song on his album, as it holds a special significance for him. He recorded the song during a difficult time to express his hope and gratitude to God. The song's message revolves around the idea that success is often unpredictable and can't be fully explained. The artist emphasizes the mysterious nature of God's plan and the importance of giving thanks for the blessings in his life. Fireboy DML starts his album with a powerful prayerful track, expressing gratitude and devotion to God. "iseoluwa" (the wonders of God” is a soulful blend of Afrobeats, and gospel music, setting the tone for a reflective and introspective album. The track, produced by Bassiqally and Nxrth (Fireboy's brother), is laced with soothing female backup vocals, the beauty of the talking drum and mesmerizing saxophone performance, making it a perfect intro and an instant Fireboy classic.

call me

A catchy love song about a passionate and unforgettable romance, "Call Me" is a perfect example of Fireboy's ability to create infectious melodies and heartfelt lyrics. The upbeat Afropop rhythm and catchy chorus make it a standout track on the album. According to him, this is actually where stuff gets retro and nostalgic. ‘Call Me’ is a beautiful love-pop song that just reminds him of how love songs used to be made back in the day

ecstasy (featuring Seun Kuti)

He collaborated with the legendary Seun Kuti, and Fireboy DML delivers a sensual and seductive track about the thrill of a new relationship. "Ecstasy" is a blend of Afrobeats, jazz, and Afrobeat, showcasing the influence of Fela Kuti. YBNL boss Olamide and Fireboy co-wrote the song, attested to the fact that it was a hit before leaving the studio.

hell and back

A heartbreaking ballad about the challenges of a failed relationship, "Hell and Back" highlights Fireboy's emotional depth and vocal range. The mid tempo R&B track is a poignant exploration of love, loss, and longing. He also says hell and Back was one of the songs created towards the end of the album-making process. It’s about a terrible breakup Fireboy says this record is for anyone who has gone through a terrible breakup sting

letting go (featuring Lojay)

Fireboy expresses his struggle to moving on from a past relationship is the theme of "Letting Go," a reflective song featuring a collaboration with Lojay. The Afrobeats track, with a touch of reggae and dancehall, is a powerful exploration of heartbreak and healing. Lojay is one of the closest people to him in the industry; he also announced that they have a joint EP coming soon.

back n forth (featuring Lagbaja)

A playful and upbeat song about a flirtatious relationship, "Back n Forth" features a collaboration with Nigerian music legend Lagbaja. We don't know how much we miss having the masked-man on our screens until we listen to the magic on this track. The Afrobeats track has a retro vibe and is a fun and energetic addition to the album. Fireboy says Lagbaja is the most meticulous artist he has worked with throughout his life. He says his work ethic is insane, which explains why he’s regarded as a legend. He also acknowledged that he learned a lot while working with him on this record, and he is honored to have him on this record.”

ready (featuring Jon Batiste)

A hopeful song about embracing the future, "Ready" features a collaboration with American musician Jon Batiste. The Afrobeats track, with a touch of jazz and soul, is a powerful message of resilience and determination. What other way would perfection have been practiced? If not a blend of Fireboy’s amazing vocal and Jon’s melodies on the piano.

wande’s bop (featuring SPINALL)

"Wande's Bop," a fun and energetic song with a catchy beat, is homage to Wande Coal, whom he's constantly credited as a major inspiration. The track features a collaboration with Nigerian DJ SPINALL and bears stark similarities with Wande’s “The Kick”. 

change  your life

A love song where fireboy offers reassurance to a loved one. On this Afro-funk track, he channels his inner pop-star with his melodious tune. He promises to give his time, money and affection to ensure she gives her all to him. Fireboy showing his lover boy instinct isn’t new, but he delivered it exceptionally and perfectly on “change your life.”

obaa sima

A love song dedicated to a beautiful woman, "Obaa Sima," is a romantic and sensual track that showcases Fireboy's ability to write heartfelt love songs. The Afrobeat's rhythm and poetic lyrics create a captivating atmosphere.

need me

A heartfelt ballad about a deep and meaningful relationship, "Need Me" is a powerful expression of love and devotion. The mid-tempo R&B with a melodic piano tune highlights Fireboy's emotional depth and vocal range.Fireboy played his lover boy cards again offering reassurance again to Uju. Uju must have really captivated his heart, he literally offered everything, even himself to be there whenever she is lonely.

yawa

A party anthem about having fun and letting loose, "yawa" is a high-energy track that will get you dancing. The uptempo Afrobeats rhythm and catchy chorus make it a perfect song for celebrating life.

everyday

A love song about cherishing everyday moments with someone special to him."everyday " is a beautiful and introspective track about affectionate care.The Afrobeat's rhythm and heartfelt lyrics create a peaceful and contemplative atmosphere. He showed a little bit of worry if his love might be pushing her away, he was also wondering if he was loving enough but amidst all these worries, he still wanted to offer everything!

Jon's Interlude (featuring Jon Batiste)

A beautiful instrumental interlude featuring Jon Batiste, "Jon's Interlude" adds a touch of jazz and soul to the album.

Overall Rating 10/10

Fireboy DML's "adedamola" is a masterpiece that showcases his intentionality about his craft, his ingenuity and reflects his personal growth and artistic evolution. The album has received widespread critical acclaim, with many praising its diverse themes, soulful melodies, and powerful performances.

The album's themes are personal and universal, exploring love, loss, heartbreak, and the search for meaning in life. Fireboy DML's ability to convey these emotions through his music is remarkable. His lyrics are honest, relatable, and often poetic, allowing listeners to connect with his experiences on a deep level.

One of the most striking aspects of "adedamola" is Fireboy DML's artistic evolution. Since his debut album, he has matured as a songwriter and musician, experimenting with different genres and styles while remaining true to his roots. This shows that artists can demonstrate growth without overheating the experiment. 

The album showcases his versatility, from the soulful ballads to the upbeat party anthems. Yet, he's demonstrated alluring levels of sonic and thematic cohesion. 

The album's production is also top-notch. Its blend of Afrobeats, R&B, and other genres creates a rich, textured sound. Collaborations with renowned artists like Seun Kuti, Lojay, Lagbaja, Jon Batiste, and SPINALL add depth and variety to the album.

In conclusion, "adedamola" is a masterpiece that will stand the test of time. We opine that it has the intentionality of Apollo, the resonance of LTG, and the potential for the numbers on Playboy, making it a full-round work reflecting Fireboy’s persona. Little wonder it is titled after the artist’s first name— Adedamola. Essentially, this is testament to Fireboy DML's talent, creativity, and artistic vision. The album's diverse themes, soulful melodies, and powerful performances make it a must-listen for fans of Afrobeats and music lovers everywhere. adedamolais a well-crafted and eclectic album that showcases Fireboy DML's versatility as an artist. It explores various themes, from love and relationships to personal growth and social commentary. The album's production is top-notch, blending Afrobeats, R&B, and other genres. Fireboy's vocals are as soulful and dynamic as ever, adding depth and emotion to the lyrics.

By: Samson James 

Ayo Maff has made a bold statement in the Nigerian music scene with his debut extended play (EP) titled Maffian, which was released on August 16, 2024. This seven-track EP showcases Ayo Maff's versatility and emotional depth, offering listeners a mix of introspective lyrics and innovative beats. Each track on the album contributes to the overall narrative, reflecting the artist's journey and growth as he navigates adulthood.

The EP opens with "A Beautiful Song," setting a melodious tone before diving into "Are You There?," a track that explores themes of destiny and self-discovery. "7 Lives" and "8 Days" continue this introspection, while "2 Dollar" and "Go Back" bring in a more upbeat, rhythmic energy, showcasing Ayo Maff’s ability to blend different sounds and moods seamlessly. The closing track, "Last Week," wraps up the EP with a reflective tone, leaving listeners with a sense of completion and anticipation for what’s next from this rising star.

Maffian follows the success of Ayo Maff's hit single "Dealer" featuring Fireboy DML, solidifying his place as an emerging force in Afrobeats. The EP is available on all streaming platforms and has been praised for its cohesive storytelling and the emotional connection Ayo Maff establishes with his audience. Ayo Maff’s Maffian EP is a masterclass in Afrobeats innovation, blending emotional depth with catchy rhythms across seven distinct tracks. Each song on the album offers a unique experience, reflecting Ayo Maff's growth as an artist while resonating with themes that are universally relatable.

1. ’A Beautiful Song’’

   The opening track of the Maffian EP, "A Beautiful Song," introduces listeners to Ayo Maff's soulful side. The track blends smooth melodies with heartfelt lyrics, focusing on themes of love and gratitude. This song sets the tone for the EP, showcasing Ayo Maff’s ability to connect emotionally with his audience right from the start.

2. "Are You There?" 

   "Are You There?" shifts gears with an upbeat tempo and a catchy hook that captures the listener's attention immediately. This track explores themes of destiny and the quest for guidance in uncertain times. Its energetic beat combined with introspective lyrics makes it a standout track on the EP, appealing to both new listeners and long-time fans of Afrobeats.

3. "7 Lives"  

   This introspective track dives deep into the theme of resilience, using metaphors to represent the different phases of life. "7 Lives" showcases Ayo Maff’s lyrical prowess, offering listeners a reflective journey through the struggles and triumphs of personal growth. The thoughtful lyrics, paired with a soothing rhythm, make this song a highlight of the Maffian EP.

4. "8 Days"  

   Continuing the exploration of life’s journey, "8 Days" brings a lively and rhythmic sound. The song emphasizes the importance of living in the moment, capturing the urgency of time’s passage. Its upbeat tempo and danceable rhythm make it one of the most engaging tracks on the EP, perfect for both introspection and the dance floor.

5. "2 Dollar" 

   "2 Dollar" introduces a more playful vibe, using the metaphor of money to discuss themes of self-worth and value. The catchy, rhythmic track contrasts with the deeper messages embedded in the lyrics, showcasing Ayo Maff’s versatility in blending meaningful content with commercial appeal.

6. "Go Back" 

   A nostalgic track, "Go Back" reflects on past choices and the longing for simpler times. Its mellow beat and reflective lyrics resonate with listeners who have experienced regret or the desire to revisit the past. The song’s introspective nature is enhanced by Ayo Maff’s emotive vocal delivery, making it a poignant addition to the EP.

7. "Last Week"

   The closing track, "Last Week," wraps up the Maffian EP with a reflective tone, addressing themes of change, growth, and the passage of time. The subdued tempo and thoughtful lyrics provide a fitting conclusion to the album, leaving a lasting impression on the listener. "Last Week" encapsulates the emotional journey of the EP, cementing Ayo Maff's status as a rising star in the Afrobeats scene.

Overall Ratings

Ayo Maff's debut EP, "Maffian," has been met with generally positive reviews. Critics and fans alike have praised the EP for its raw energy, authentic storytelling, and Ayo Maff's distinctive vocal style. No doubt, the genuine storytelling with listeners and the vibrant energy on the album cannot be overlooked. There is a unique blend of afrobeats and street sounds, this fusion of these genres creates a distinctive sound that sets Ayo Maff apart.

The project showcases a blend of Afrobeats and street-inspired sounds, creating a different identity for the artist. The EP has been commended for its ability to connect with listeners on an emotional level, thanks to its relatable lyrics and catchy melodies.

While the EP is strong overall, some critics have pointed out that the production could be more varied. Additionally, expanding on the introspective themes explored in certain tracks could add depth to future projects. While some have noted that the EP could benefit from more diverse production, the overall consensus is that "Maffian" is a promising debut that positions Ayo Maff as a rising star in the Nigerian music scene.

Generally, Ayo Maff’s Maffian EP is a cohesive and innovative project that highlights his growth as an artist. The blend of introspective lyrics with diverse Afrobeats rhythms makes this EP a must-listen for fans of contemporary African music.

Llona, whose real name is Michael Ajuma Attah, is a promising Nigerian singer and songwriter making waves in the Afrobeats scene. Hailing from Kogi State, he brings a unique blend of Northern and Southern influences to his music. Llona's debut album, "Homeless," is a poignant exploration of the challenges faced by Nigerian youth. Far from a literal interpretation, the album delves into themes of displacement, identity, and the search for belonging in a rapidly changing world.

The project is a departure from the upbeat, party-centric sound often associated with Afrobeats. Instead, Llona opts for a more introspective and melancholic tone. With tracks like HBP, he paints vivid pictures of the struggles and aspirations of a generation navigating a complex reality.

One of the album's strengths lies in its authenticity. Llona's raw vocals and honest lyrics create a deep connection with listeners, making them feel seen and understood. The album is also a testament to his versatility, as he seamlessly blends elements of R&B, soul, and alternative music with Afrobeats.

Collaborations with artists like Bella Shmurda and Fave add depth and diversity to the project. Their contributions complement Llona's style and broaden the album's appeal. While "Homeless" is a powerful and impactful album, it's important to note that it's a deeply personal project. The themes explored may resonate with some listeners more than others. However, the album's artistic merit and Llona's talent are undeniable.

Llona's "Homeless" is a powerful statement about the challenges faced by young people. It encourages empathy and shows the strength of the human spirit. This album has solidified Llona's reputation as a thought-provoking artist, and his career is full of promise.

He had been away from the music scene for a long time; what better way would have struck harder than coming back with an EP? Khaid constantly projected his sound dynamically and pleasingly. The Neptune Records Act has risen, and he's doing well. 444 would be Khaid's third studio project, and each project has been a resonating success.

The only collaboration on this EP features YBNL king Olamide. This collaboration between Khaid and Olamide has proven to be a masterstroke. It is a refreshing infusion of Afrobeats and street-hop that has resonated strongly with fans. The song skillfully blends Khaid's raw energy with Olamide's seasoned lyrical prowess, creating a dynamic sound that appeals to a wide audience.

What's particularly impressive is how the EP hit a spine without stressing it. A project that feels both familiar and innovative. The reception to the EP has been overwhelmingly positive, with fans and critics alike praising an incredible comeback from the musical genius. It shows his talents and the synergy he can create with any artist.

Overall, Khaid's EP is a standout project that solidifies his position as one of the leading figures to look out for in the Nigerian music industry. It's a body of commercially successful and critically acclaimed work, setting a high bar for future collaborations.

Wizkid, the Afrobeats maestro, has dropped another detty December tune with "Soundman Vol. 2." This December surprise marks the second offering in his "Soundman" series- a sonic playground promising sunshine-soaked grooves and good vibes galore. 

First things first, let's address the elephant in the room – or rather, the elephant not quite there. Lyricism? Deep introspection? Existential crises? Not on this EP, folks. "Soundman Vol. 2" is all about basking in the sonic warmth, letting Wizkid's smooth vocals wash over you like a piña colada on a Bahamian beach. Think catchy hooks, infectious beats, and enough swagger to fill a Lagos nightclub. It's an EP designed to make you move, not mull over the meaning of life.

Wande Coal, the Afrobeats vocal titan, joins the party on "Ololufe," their voices gliding effortlessly over the Amapiano-infused track. It's a laid-back masterclass in effortless cool, two legends proving that sometimes, less is truly more. This has been Wande Coal's recent MO- jumpy beat with fewer lyrics and more vocal experimentation. Picture a playful time in the studio, with two musical royalty just… vibing, rehashing standout lyrics of classics. That's "Ololufe" in a nutshell.

But amidst the breezy bliss, it's Zlatan Ibile who steals the show on "IDK." This guy has been on fire all year, spitting verses like dragonfire on features and solo tracks alike. His contribution to "IDK" is no exception – a fiery finale to a mellow EP, proving that even in a playground of feel-good vibes, there's always room for a bit of lyrical heat.

So, is "Soundman Vol. 2" a groundbreaking masterpiece? Perhaps not. But is it a damn good time? Absolutely. It's a four-track escape hatch from the drudgery of everyday life, a portal to a world where worries melt away and anxieties evaporate in the face of Wizkid's infectious groove. It's the sonic equivalent of a perfectly chilled bottle of champagne – bubbly, bright, and guaranteed to put a smile on your face.

This might actually be a reflection of how Big Wiz has chosen to cope with his recent travails. Rather than sing a tribute or recreate the energy of "Joy", he's chosen to mask the pain (or distract from it) in tracks like "Diamond" and "Energy".

Anyway, crank up the volume, grab your favourite dancing shoes, and let "Soundman Vol. 2" transport you to a world where the only rule is to let loose and enjoy the ride. Just don't expect to find the meaning of life here – that's a different beach party altogether. This, my friends, is pure, unadulterated sonic pleasure. And that's all you need after a very tough year.

"Tough times don't last but tough people do, we go stand tall."

Agree with this review or not? Share your thoughts in the comments.

Following the success of his last album, Rave and Roses, Rema came like a thief in the night to announce the release of his newest EP ‘Ravage’.  In Rave and Roses, he explored aspects of his early life and showcased his versatility with a mix of Afrobeats, trap, and soulful melodies.

In 'Ravage,' Rema shifts to a different theme, describing it as an outburst from within, fueled by drive, passion, and destiny. The project aims to convey a sense of release, albeit with an intensity akin to fire.

'Ravage' reintroduces a side of Rema reminiscent of 2019, where he expresses himself without reservation. In "Trouble Maker," he confidently asserts his talent, reclaiming the title of "Prince of Afrobeats" with poise. Throughout the 14minutes-long EP, Rema addresses personal growth, emphasizing his commitment to maintaining peace of mind as emphasised on DND, and expanding the frontiers of Afrobeats— holding the game down.  He distinctively spoke about his growth as an individual in all aspects of his life in track 3 ‘Smooth Criminal’

Contrary to expectations, Rema surprises listeners with tracks 4 and 5, "Don't Leave" and "Red Potion," revealing a seductive and romantic facet. The EP is presented as an experimental endeavor, earning both praise and criticism. Nevertheless, Rema effectively communicates his emotions and storytelling prowess, leaving an indelible impression.

While the longevity of the tracks remains uncertain, 'Ravage' has made a notable impact, garnering over 1.8 million streams on Spotify on its first day and securing the title of the highest-charting African EP in Apple Music history.

What's your opinion? 👍🔥 or 👎🥴Share your thoughts in the comments.

Life is a wild rollercoaster ride, and the music industry is no exception. One moment, an artist is on top of the world, selling out shows left and right, the life of the party and the press's best friend. But in the blink of an eye, their latest singles struggle to gain traction on digital platforms. This is the current battle that Adewale Mayowa Emmanuel, better known as Mayorkun, is facing in the Nigerian music scene.

Mayorkun, affectionately called the Mayor of Lagos, was once the industry's sweetheart (still is). He was the go-to guy for collaborations, to the point where he had to turn down offers. But lately, things haven't been as smooth for him. Maybe it's due to his intermittent breaks or his label change from Davido Music Worldwide to Sony Music West Africa, among other factors. 

Regardless, after six months of silence, Mayorkun is making his comeback this October with his latest extended play, "Love...For Free," his first body of work since his 2021 release, "Back in Office."

The EP consists of five tracks, with two previously released ones and only one collaboration. Mayorkun plays it safe with this project, diving into the theme of love, opening up about his hiatus, and subtly addressing his frenemies. It's understandable if he seems a bit uncertain about the current market dynamics, trying to come to terms with how fast things have changed since he last dominated the scene. For an artist accustomed to consecutive hit singles and high demand from his peers, it's safe to say that Mayorkun is navigating uncharted territory.

To be honest, Harry Potter and Merlin might need an extra hand to match the magic in this project.

After marriage and childbirth-induced pause, Simi finally decided to share her 4th studio album, To be Honest. This is her first independent album under her record label, Studio Brat. 

Since stepping into the limelight with her phenomenal sophomore album, Simisola, in 2017, Simi has had it all— the hits, the misses, the accolades and everything in between. This is what she tries to exert in the 11 tracks of this project spanning 31 minutes, 11 seconds. 

Hence, as the title of the album alludes, she begins by making the first two tracks personal statements— one about the journey so far. Recounting origins; counting the Ls and Ws and emphasizing the B status. It's only sane that after paying your dues, and making necessary sacrifices, you come to acknowledge yourself. The two tracks—Story Story & Born Again—are great intro tracks that draw listeners into the honest outlook Simi was employing for the album.

Born Again especially carries the element of her Gospel days in a mix with what we might call the AG Baby effect. It's obvious that Simi and Tio Tequila have continued to exchange prowess in each other's projects well before marriage and that isn't stopping. After all, isn't that part of what marriage is about?

Despite the influence Daddy Deja and Mummy Deja have on each other, it seems the depth in the contents of their collaboration is retrogressing. Balance isn't like what we saw in the heydays of— No Forget, By You, Promise. This one is easily forgettable; Not because the delivery is and anyway but because of the unimpressive content. Simi alters Fireboy “Peru” and uses some sweet igbo lingua on the chorus and Tio Tequila bounced like he would.  

To be honest, the retrogression is visible in the whole album as Simi takes a seemingly playful manner of delivery especially in her rhyme schemes. The honesty in this project doesn't hit only from the lyrics; it appears in how Simi has chosen to display her artistic prowess in terms of range and flexibility. She shows her striking self who's inspired by gospel music, then an artist who can harmonize other sounds and exert fluidity.

Loyal is easily a favourite on the album with Fave bringing in her dreamy voice to bond with Simi's alluring vocals to create a soothing melody. The track remains an outstanding R&B and pop-infused drop on the project shedding light about a love that should depend on loyalty.

Naked Wire, Temper, Nobody are also brilliant tracks with sultry vocals and crisp productions. Simi swaggers her ability to effectively employ Afropop and wordplay on these tracks. Temper would easily pass as a party starter. Same as Logba Logba which has a groovy inflection to it. 

Simi ends the album on a note of gratitude with Love for Me. This track further concretized the influence of Highlife on her sound, it is a bit ethereal with spiritual connotations showing the motherly side of Simi. This is a perfect round off track.

While it may look like we may not have the same content quality like we did in Simisola, we still have an artist who is intentional about development in different aspects. Therefore, To Be Honest sounds like her most harmonious project so far— the vocal range, tempos, and beats used in the creation of this project all seem cohesive.

Of course Falz is a bhad boy, what was he thinking of when he said “I dey hit am, e be steady” on All Night or “the way she ride it, I no get the car details” on Woman?

While BHAD might be hard to categorize, two themes are prevalent— sultriness & cockiness.

Is this the Falz we know and how good is this project?

Over the years, Falz has expressed the depth of his talent, versatility and fluidity across different sounds. Whether he’s rapping alone, duetting, making Amapiano, or delivering a spoken styled performance, Falz shows that he’s capable of delivering excellently across different soundscapes.

However, here we’re seeing another Falz, experimenting as a singer. In the build up to the album, Falz intentionally takes his audience through a journey you’ll applaud as a well-executed content marketing strategy. He tagged it #RoadtoBhad.

In about 10 episodes, he shares excerpts of the songs in the album, the thought processes and backstage works that went into making them.

In the very first content he shared in the prelude to the album, he mentioned how BHAD is an entry into a new character; a new perspective. He also hints on the anxiety he feels from working on the album— the kind that is normal to feel from trying out something new, honestly.

So, we waited to embrace this with open minds. And I’m sure I speak for a lot of music fans when I say, we aren’t disappointed. We’re indeed intrigued by this execution. 

Like I mentioned earlier, BHAD is a mix of sultriness and cockiness. The very first track on the album, ‘Another Me’, combines both elements. In this track, Falz delivers a bouncy rap bothering on trap and a cocky hook on a piano instrumental laced with bass guitar solo that makes it feel like Rock/Jazz. Another Me hammers on Falz’ uniqueness, how he is a forerunner that sets examples that others want to imitate. He also gives sassy lines on how he makes his women feel. 

Some of the songs, to borrow Folarin’s words, “represent a sound of intimacy” . Tracks like All Night, Beautiful Sunflower ft Tiwa Savage follow each other in quick succession setting a sultry tone for a moment of all things sexy.

While All Night drags in a less enjoyable manner, Beautiful Sunflower is smooth, simple, and sassy— all the elements of a bad guy. Tiwa Savage upped the flawlessness of the track with her dreamy delivery, giving the track all it needs to be a lead on song.

At the same time, you find a cocky tone in some of the tracks— the kind of time that you’ll only see when you’re chilling out with friends. Groove, swagger and cruise. This is evident in Parampe and Roger Milla.

Parampe is an intentional track. Executing cocky lyrics with a groovy tone in a perfect Afrobeat style isn’t something that looks random. The sax instrumental and backup vocals came to bear on the blend of proverbs and witty lines that hammers on an inviolable status.

The sultriness continues in the next 6 tracks after with Knee down, Gentleman and Tender Love leaning towards a more romantic tone showing vulnerability. Knee Down especially is an exquisite tune with incredible repeat value. An insane hook with a beautiful blend of rap.

When we get to Inside, we also see a romantic Falz who employs the help of Timaya and Boy Spyce to deliver another incredible track. On this track, it becomes more obvious that the features are intentional. All featured acts came to deliver on an instrumental and a theme that seems like their stronghold. Hence, Timaya does excellently with his unique vocals and Boy Spyce delivered the most impressive verse on the album.

Overall, although BHAD is hard to categorize and it’s a new style of execution, it is still enjoyable. It concretizes the fact that Falz is one artist that takes the art seriously and is intentional about excellence.

Before hitting the music scene proper six years ago, Teni created sensation on the internet with her covers and comedic freestyles. Upon hitting the Nigerian music industry, her phenomenal artistry earned her the Headies Rookie of the Year Award in 2018. Since then to date, she's registered several hit singles to her name including Billionaire, Uyo Meyo, Case, Sugar Mummy, Wait amongst others.

A certified vocalist and revered songwriter, Teniola Apata has held her hone in the industry since she began in  2016. Although she's dropped a couple of EPs— Billionaire and Quarantine Playlist— it's still amazing to discover that she's just releasing her debut album after five years down the line. 

Released March 19, 2021, under Dr Dolor Entertainment, WONDALAND is a 17-track album with a playing length of  49minute 58seconds. 

The Art

Beginning from the Album Art, there's a quick realization of Teni's free-spirited nature. Also, the art is a representation of the artist's conception of her achievement in the music industry. The album, Wondaland, is akin to a personal diary where Teni lays herself bare in a colourful, creative, honest, and humorous manner. She relays her romantic fantasies in tracks such as Game Over, Injure Me and Wonda Why. Tracks such as Maja, Dad's Song, Hustle, XXXL dwell on personal ordeals. In a track like Were, she exhibits an Afrocentric masterclass, which is also an inherent part of what makes her phenomenal.

maja maja maja [I'll force it open×3]

if them no open door for me 

emi a ja'lekun [I'll force the door open] 

The Album

Following a popular trend, the album kicks off with an audacious statement that discloses the artist's presence and prowess as well as vision and mission.

"...this little light of mine / I'm gon' let it shine / trouble dey there / I'm gon make it shine. . ."

Delivered in a melodic voice accompanied by a piano and rounded off by a native panegyric, Maja lays a perfect foundation for every other song on the track. 

This structural consciousness of the album becomes more evident on the second track— the only feature on the album— For You, a single which dropped sometime in mid-February. 

Aside from the structural quality, the album is also resounding evidence of Teni's dexterity— her ability to deliver on different instrumentals and maintain her expertise. 

On songs like Game Over and Injure Me, Teni reminds us of what she did on Fargin but this time in an even better manner. Over an impeccable flow, she goes covertly X-Rated on both songs. 

FBI, Moslado, Okocha and Jo are upbeat energetic songs which are different songs like On— a distinct Amapiano sound where Teni projects herself as a helpless romantic. 

On Toxic, Teni shows a completely different part of her that we've never seen. The songs begin with a playful trap beat and adopt a highlife vibe at intermittent points. On lyricism and titling, this song passes as a 100 per cent toxic song. 

Wonda Why is a close opposite to Toxic. Here, the persona isn't unstable, rather she is ready to give her all to her partner. Ready to be supportive, dedicated and selfless. 

In a conscious demeanour, Teni speaks about her personal struggles as an artist on Hustle. Success comes with a price. As Teni recounts, most of the time the price is paid in pressure and expectations from those around who you expect to understand you the most but will fail to. This track is reminiscent of songs like The Life of Star by Lil Kesh & Adekunle Gold and Airplane Mode by Fireboy.

Certainly, the most conscious and touching track on Wondaland however, is Dad's Song. Born in 1992, Teni obviously didn't get the chance to build a relationship with her dad, Simeon Apata who died in 1995. She wrote the song telling him how far she's come, how happy he would have been if he was here and how he's been like an invisible guide and confidence booster for her. 

Teni infers to her battle with body shaming and how she's gone beyond what people will say. She also closes the track with an inspirational lyric for people who are going through the same ordeal. The social consciousness and fellowship in this song stretch into the bonus track, Black, which dwells on racism, political oppression, corruption and brutality. She hammers on one central demand in the song— Freedom!

Conclusion

In conclusion, this album is pure magic like its name suggests. It ticks all boxes from multiple top-notch productions with Pheelz recurring more than others. Versatility in sound and lyrics wrapped in honesty and humour. Undoubtedly, the time Teni has taken to perfect her craft before putting this out makes Wondaland a masterclass debut album—a worthy template for both upcoming and established artists.

Buju’s Sorry I’m Late Review

Review; Sorry I’m late

Buju released his EP – “Sorry I’m Late” on 28th of October to all streaming digital platforms. Sorry I’m Late gives the listeners a view of his unconventional journey but comfortable sound as an artiste. Prior to his EP, he has found a name for himself and rightfully been a single sought-after artist.

You listen to Outside (his 2021 solo debut single of the year) and you instantly know he has a story to tell.  It is a solemn track that carries the thoughts in his mind in a bag, with of course the right rhythm. He got the undivided listener’s attention when he got featured with Wizkid on Mood.