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AraTheJay: Snapshot of A Fast-rising Spiritual Highlife Musician


The African music scene is a pool of talent that won't stop giving. Today, we're spotlighting AraTheJay— Samuel Ankrah— a name that's steadily gaining recognition.


Getting known for his stylistic handwoven headgear, this talented artist calls his music spiritual because he believes that everything in the world has a spiritual undercurrent. Listeners will find a mix of Highlife and Afrobeats in his songs. 


AraTheJay's music is characterized by its emotive quality and thought-provoking lyrics. His lyrics, often exploring themes of faith, love, and personal growth, have a way of touching your soul and leaving a lasting impression. This might be attributed to the early influence of church on his music. He also grew up listening to Jamaican rhythms like Vybz Kartel. These early experiences shaped his sound and aesthetic. While he draws inspiration from various genres, the Sekondi-born artist remains true to his own unique style and message.


2024 has been a busy year for AraTheJay, with several tracks under his belt. His collaboration with Black Sheriff, "Jesus Christ2," has garnered attention, and other notable songs include "C'est la vie" and "Sankofa" featuring Wise Shady and Onoa amongst others. Also, his latest project, "Finding Nimo: The Capsule," is part of a larger series that aims to connect listeners to a higher purpose through music.


With collaborations with artists like King Promise and notable producers like DJ Breezy and Signal, AraTheJay has been making waves in the Ghanaian music scene while gaining the attention of listeners outside West Africa.


AraTheJay wants his listeners to take away positive messages and uplifting vibes from his music. He often expresses his love for his wife, Abena, and emphasizes the importance of faith and spirituality. Through his music, he aims to inspire and encourage others on their own journeys.


In the nearest future, he hopes to drop the deluxe version of The Capsule. Before then, music fans can check out what powerful message AraTheJay has for them in his music.



Muthoni Drummer Queen: The Pulse of Feminist Revolution in Kenyan Music


Recently, feminism has taken a firm seat at the table of global conversations, reverberating not only in politics and society but also in the arts. The music industry in Africa has been no exception to this shift, as a new generation of fierce female artists has risen to challenge the status quo, bringing fresh perspectives to gender, identity, and power. From the smoky streets of Lagos to the vibrant heart of Johannesburg, feminist ideals are increasingly embedded in the music of leading female figures.


Artists like Ayra Starr, Tems, and Lady Donli from Nigeria, alongside South Africa’s Tyla and Ghana’s Amaarae, are carving out spaces for themselves, unapologetically challenging societal norms, breaking down stereotypes, and inspiring a new generation of women through their achievements. These new-gen feminist girlies have not not only catchy and commercially successful music but also embed powerful messages of empowerment, self-love, and social justice in their music. Essentially, they aren't only breaking charts and filling venues but also smashing societal expectations.


Amidst this revolution stands Muthoni Drummer Queen (or Muthoni Ndonga), a Kenyan artist whose music and activism challenge patriarchal norms. Muthoni can be considered a movement as her work is a testament to the power of art as a vehicle for social change, and she stands tall among Africa's leading feminist icons.


At the intersection of culture, feminism, and music, we find Muthoni Drummer Queen—a trailblazing Kenyan rapper, drummer, singer-songwriter, and cultural entrepreneur. Muthoni, or MDQ as she's often called, fuses hip-hop, reggae, and neo-soul with traditional Kenyan sounds, creating music that transcends borders and stirs minds. Her art isn't just music; it's an exploration of African identity, feminism, and empowerment.


Muthoni Drummer Queen’s genre-blending sound mirrors the diversity of her hometown, Nairobi. In an interview, she highlighted the role of the city in shaping her music. "Nairobi is my home," she says in an interview published on Google Arts on Culture, "and I'm very attached to it. It created sheng, a slang derived from Kiswahili, and having an authentic language to write in has been instrumental in expressing Nairobi’s rich cultural experiences." Nairobi, a bustling metropolis that has long been a melting pot of East African, Congolese, and global influences, is the perfect incubator for Muthoni's eclectic musical style. This is evident from her recently released EP Moonsoon.


Her soundscape is as varied as her influences: from hip-hop to reggae, to the soulful rhythms of neo-soul and blues. Muthoni is a student of African drums, particularly those from the Luo, Luhya, and Giriama communities, whose beats she meticulously weaves into her music. This marriage of tradition and innovation exemplifies her approach to the African music scene—a space where she boldly carves out her own lane.


The Feminist Voice in Muthoni Drummer Queen’s Music

Muthoni Drummer Queen doesn't shy away from her feminist convictions, using her music as a platform to challenge patriarchal structures within the music industry and society at large. Reflecting on her journey as a feminist musician, she acknowledges the internalized patriarchy she has had to unlearn, alongside the constant learning of feminist theory.


"I rejected the hypersexualized presentation of women in hip-hop," she explains. "It’s imagery created for the male gaze, performative femininity that commodifies female sexuality for men's gratification." In her work, Muthoni intentionally pushes back against these constructs. Her music, particularly in her album *SHE*, stands as a declaration of women’s autonomy. The album is a rich tapestry of stories about women who choose self-love and self-determination, unafraid to be their own heroes.


Muthoni’s presentation of herself as a “boss-lady” and urban queen isn’t just about aesthetics—it’s a purposeful counter-narrative in a male-dominated industry. She offers an image of a powerful, grounded African woman, rewriting the roles traditionally assigned to women in hip-hop. Her feminist ethos is threaded through every beat, lyric, and visual—each an assertion that women can define their own narratives.

Community, Creativity, and Feminism


One of Muthoni Drummer Queen’s strongest beliefs is in the power of community. For female creatives, particularly in the cutthroat world of music, solidarity and networks are essential. "Women have gone through different things in the industry," she says, "and the network becomes a useful means to gain perspective and navigate the scene."


Through her festivals, *Blankets & Wine* and *Africa Nouveau*, Muthoni has not only created spaces for artistic expression but also platforms for female artists to collaborate, grow, and challenge industry norms. The festivals reflect her feminist commitment to giving women in East Africa—and beyond—a voice, showcasing a wealth of talent across genres.


Inspiring Future Generations

For Muthoni, music is more than an art form; it’s a catalyst for change. She hopes to inspire Kenyan women to “listen to themselves, trust their intuition, forge their own paths, and build brands that reflect their authentic selves.” Her vision for African women is one of expansion and freedom—becoming “ungovernable women,” as she poetically puts it. 


Her advice to aspiring female musicians rings clear: “Female friendship is power. Build a team from the start. Own your masters. Legally protect your image, name, and work.” Muthoni Drummer Queen champions not just artistry but ownership—ownership of music, identity, and destiny.


Muthoni Drummer Queen’s contributions to Kenyan and African music are significant. Her art, activism, and relentless push for equality place her at the forefront of the feminist wave reshaping the continent’s music scene. And as feminism continues to gain momentum globally, Muthoni's voice will undoubtedly echo louder, inspiring a future generation of women to take charge of their narratives, one beat at a time.



Wakayna: A Rising Phenomenon in the Afro-Fusion Scene


Francis Dogbey, popularly known as Wakayna is a Ghanaian artist making waves in the Afro-fusion genre. Known for his work in Afrobeats and Highlife, Wakayna has carved out a unique niche with his blend of musical styles.

An energetic performer, his recent single, "Catwalking," showcases his versatility and ability to seamlessly incorporate influences from Afrobeats, Amapiano, and Jamaican music. The song's infectious rhythm, Wakayna's smooth vocals, and the accompanying dance moves, make it a potential anthem, celebrating self-expression and confidence.

Hailing from Tulaku, Ashaiman, Wakayna's musical journey began at the tender age of 14. After completing his basic education, he delved into ICT, learning hardware, graphic design, and music production under the mentorship of renowned Ghanaian producer Beatz Dakay.

Wakayna's talent extends beyond his own music. He has produced tracks for several prominent artists, including Eye Judah, Abudebi Zonjon, Tic, and Wurld. His contributions to these projects demonstrate his versatility and ability to collaborate effectively with different artists.

While Wakayna's music is undoubtedly impressive. Nonetheless, he looks to expand his songwriting and lyrical content to further add depth and dimension to his music. His Desiree to experiment with different genres undoubtedly makes him a phenomenon in the Afro-fusion scene. 

Wakayna's talent, versatility, and dedication to his craft make him a promising artist to watch. As he continues to evolve and grow, it is exciting to anticipate what he will achieve in the future.



Finding Harmony in Unexpected Places: The Making of Tar1q


Many artists are defying the stereotypical path to stardom— love music from birth, join the choir, make music often then, have a big break. Tar1q's journey isn't paved with childhood choirs or years spent honing his craft in dingy studios. It's a story of self-discovery, of finding solace in music during moments of solitude, and of a unique sound that blends the power of Afrosoul with the raw emotion of soul. Specifically, he's gone from being a geology student to carving a niche for himself in Afrosoul 

Music wasn't a lifelong dream for the ChocCity Signee, Tar1q. It snuck into his life a little over four years ago, a beacon of light during a period of introspection and "too much alone time," as he puts it. But instead of dwelling in loneliness, Tar1q turned to writing. Words flowed freely, weaving stories and emotions that resonated deep within him. It was then that the connection sparked— the power of music to transform these written emotions into something tangible, something that could connect with others. 

Tar1q's musical journey has been one of constant evolution. He describes it as a period of "growing, learning, unlearning and self-finding." This exploration is evident in his sound, which he aptly calls "Afro-Soul." It's a captivating blend of genres, with the pulsating rhythms of Afrobeats forming the foundation for Tar1q's soulful vocals that lay bare his deepest emotions. Whether he's channelling the iconic stylings of Kanye West and Michael Jackson, or drawing inspiration from the contemporary sounds of Post Malone and Burna Boy, Tar1q's music is a tapestry woven from his diverse influences. But what truly sets him apart is his ability to infuse these influences with his own introspective lyrics, creating music that speaks directly to the soul.

Tar1q's journey is inspired by the unwavering support of his family— his parents, siblings, and nephews. They are, in his own words, the reason he was "created, to love and cherish them." This love and support serve as his guiding principles, along with his unshakeable faith in God and the belief that it's "never too late to be better." When he's not pouring his heart out in the studio, you'll find Tar1q exploring other passions— devouring books, getting lost in movies, or simply cherishing long phone calls with loved ones far away. 

Tar1q's story is only just beginning. He's a young artist with a wisdom that belies his years, a student of geology with a soul that yearns for musical expression. As he continues to refine his sound and explore the depths of his emotions, Tar1q's music promises to resonate with a growing audience.



Gabbytane: The Future is Now


Afrobeats have continuously seized the world by storm. With its rhythms and engaging melodies, it goes beyond a genre; it's a form of cultural reset. While Afrobeats reigns dominant, a new generation of Nigerian artists is pushing limits and broadening the sound spectrum. These acts are taking Afrobeats' foundations and blending them with unexpected inspirations, resulting in a sound that is fresh, thrilling, and prepared to drive the genre even higher into the worldwide spotlight. Gabbytane is one of those at the epicenter of the Nigerian musical scene explosion.

Early Life and Influences 

Gabbytane has been into music for 6 years but took it up professionally 4 years ago. He attended Lagos State Model College Kankon. He studied History and International relations at Ajayi Crowther University,  Oyo State, where he finished with second-class upper honors in the year 2020. His stage name “Gabbytane” is a fusion of his name Gabriel and one of my favorite quotes that says ( TALENT ALONE IS NOT ENOUGH ) T.A.N.E.which serves as a constant reminder to him to always put in the work.


Music started as a hobby for the multitalented act originating from listening to old music catalogs from his dad, he was always enthralled with music, and over time he started bugging his parents for a guitar which triggered my interest and love for music. At the age of fourteen, he was in a band called DAIZE, learning songs and freestyling with friends on downloaded beats back in high school. Gabbytane became so invested in his music that he started performing at school shows such as socials, trade fairs, departmental weeks, and the like which marked the beginning of his music journey. Not long after, he got into writing songs and performing which eventually led to the release of his first official single titled “Jeje” in July 2019, The release earned favorable reviews and this cemented his commitment to his musical career. His music was influenced by a lot of artists in different ways but he grew up listening to artists like 2face, Bob Marley, Zule Zoo, Majek Fashek, Lucky Dube, Burna Boy, Patoranking, Chronixx, Durela, and MI Abaga.